4. Island - Burying the Dead
2015
self portrait, B&W 35mm film photography
Image size: 27 x 18 cm / 11" x 7"
3. Island - Burying the Dead
2015
self portrait, B&W 35mm film photography
Image size: 27 x 18 cm / 11" x 7"
1. Island - Burying the Dead
2015
self portrait, B&W 35mm film photography
Image size: 27 x 18 cm / 11" x 7"
Farm - Farmer with Gosling
2017
self portrait, B&W medium format film photography
24 x 18 cm / 9" x 7"
as a single image
Darkroom Baryta Print Edition of 5 + 2 A. P.
Farm - Branch
2017
self portrait, B&W medium format film photography
24 x 18 cm / 9" x 7"
as a single image
Darkroom Baryta Print Edition of 5 + 2 A. P.
Farm - Her Yoke, triptych
2017
self portrait, B&W medium-format film photography
each 24 x 18 cm / 9" x 7"
as triptych
Darkroom Baryta Print Edition of 5 + 2 A. P.
cut out the stain part 1 + 2, diptych
2013
ink on 300g cotton paper
each 27 x 27 cm
from the series 'weaving with ink'
‘Social DisTanzing / When Your Weft Becomes Your Warp’
2020
oil on gesso on paper
18 x 13 cm
‘Social DisTanzing / When Your Weft Becomes Your Warp’
2020
oil on gesso on paper
‘Social DisTanzing / When Your Weft Becomes Your Warp’
2020
oil on gesso on paper
princess (her)
2015
B&W 35mm film Photography
Self-portrait with Object of organza silk shot at sunset in attic of Schloss Plueschow, Plueschow, Germany.
Newborn Human
2016
Self Portrait B&W 35mm Film Photography
The Execution of a Frock - In the Halo of Justice
2017
Self Portrait B&W Medium Format Film Photography
18 x 24 cm / 7" x 9"
Shot during set installation for performance of SeamStress, in attic of Schloss Plüschow, Mecklenburgisches Künstlerhaus, Plüschow, Germany
Heather Sheehan Photographic Works 2012-2015
2021
hardcover
21 x 30 x 1 cm / 8 ½" x 12" x ½"

Published by the Kunstverein Augsburg e. V. in the wake of the solo exhibition 'alighting'. This artist's monograph of 88 pages contains 53 self-portrait analogue photographs and essays by renowned art and photography experts, Anne-Marie Bonnet and Klaus Honnef in German and English. ISBN 9783000672316

'barking the willow', third triptych of sequence
2013
self-portrait B&W 35mm film Photography
Sheehan's first self-portrait B&W 35mm film photographs portray a psychic transformation through ritualistic enactments. The sequence of 20 photographs deals with the animal in the human and birth of self, culminating in the release of the spirit from the body.

The sequence title refers to barking, as:
a. to express a guttural cry as that of a dog when outraged, frightened or calling for attention
b. to remove the skin or bark, of a tree, exposing the smooth wood in preparation for use.
and willow, as:
willow:
a. a tree known for its flexible branches used to weave basketry
b. considered to be a witch's tree, source of contraceptive and fever-reducing agent.
'barking the willow', second single of sequence
2013
self-portrait B&W 35mm film Photography
Sheehan's first self-portrait B&W 35mm film photographs portray a psychic transformation through ritualistic enactments. The sequence of 20 photographs deals with the animal in the human and birth of self, culminating in the release of the spirit from the body.

The sequence title refers to barking, as:
a. to express a guttural cry as that of a dog when outraged, frightened or calling for attention
b. to remove the skin or bark, of a tree, exposing the smooth wood in preparation for use.
and willow, as:
willow:
a. a tree known for its flexible branches used to weave basketry
b. considered to be a witch's tree, source of contraceptive and fever-reducing agent.
institutional I-V -2
2017
self-portrait medium-format chemical photography
18 x 24 cm / 7" x 9"

Series of 5 images, Darkroom Baryta Print Edition of 5 + 2 A. P.

institutional VI-X - 5
2017
self-portrait medium-format chemical photography
18 x 24 cm / 7" x 9"

Series of 5 images, Darkroom Baryta Print Edition of 5 + 2 A. P.

SeamStress, installation and performance
2017
video documentation, 6:00 minutes

a one week critical performance about the hierarchy

of labor, trickle- down economics

and the dignity of workers

burlap poem video
2012 - 2019
A 12 minute narrative rhyme art video in 5 segments about an archetypal woman's struggles, voice-over with captions in English. Shot by Lisa Voelter on location on Millers Island on the Isar River, Landshut, Bavaria and at the former Chronos Industrial Scale Factory on the Sieg River, Hennef, Germany.
Hers Is A Story
2021
4:12 minute video composition
Sheehan is costumed as Margaret Sharpless, a bank bookkeeper with more than a few secrets hidden in her corset. The video is a component of the exhibition at Milton Art Bank.
Sharpless, Margaret, The Ledger Of by Heather Sheehan
2021
Hardcover, 198 pages
11 ½" x 8 ½" / 29 x 21 cm

78 self-portrait photographs & text, published by MAB Books commensurate the exhibition at Milton Art Bank, Milton, PA.

Sharpless, Margaret, The Ledger Of by Heather Sheehan
2021
Hardcover, 198 pages
11 ½" x 8 ½" / 29 x 21 cm

sample image page from 78 self-portrait photographs & text, published by MAB Books commensurate the exhibition at Milton Art Bank, Milton, PA.

Sylta,
2024

Heather Sheehan’s Sylta, the Whaling Widow Who Wails (2020–2024) is a visual and verbal narrative composed of a sequence of 40 black-and-white self-portrait photographs, a short story and the costume she sewed by hand. Isolated with an analogue camera and typewriter in a thatch-roofed house on the coast of an island in the North Sea, Sheehan found herself in the role of a whaling captain’s pregnant widow. With the short story, Meeting Sylta, she reveals the stunning synchronicity between a fiction and the experience of its creation. The hardcover book in English and German has been published by Verlag Kettler on the occasion of the exhibition at Sölring - Sylt Museum, island of Sylt, Germany. A 12 minute video of Sheehan reading chapter 1 may be viewed here.

Sylta,
2024
analogue self-portrait photography, textile prop object, whale skull

documentation view of exhibition at Sölring - Sylt Museum, Island of Sylt, Germany

One Woman, One Stone, IIX
2023
digital print from analogue medium format self portrait photographic capture
lifesize

Heather Sheehan’s One Woman, One Stone, (2023) is a sequence of 11 black and white self-portraits combined with a poem. (book) Shooting with an analogue film camera on location in Novigrad-Cittanova, HR, Sheehan isolated herself in the Galerija-Galleria Rigo, Muzej-Museo Lapidarium, dressed in costume for an extended period of time in order to directly engage the spirits of the ancient stones.